{"id":182,"date":"2026-04-15T01:01:13","date_gmt":"2026-04-15T01:01:13","guid":{"rendered":"https:\/\/nanapang.myds.me\/wordpress\/constructed-realities-jee-young-lee-s-photographic-fiction-1\/"},"modified":"2026-04-19T05:26:30","modified_gmt":"2026-04-19T05:26:30","slug":"constructed-realities-jee-young-lee-s-photographic-fiction-1","status":"publish","type":"page","link":"https:\/\/nanapang.myds.me\/wordpress\/critic\/constructed-realities-jee-young-lee-s-photographic-fiction-1\/","title":{"rendered":"Constructed Realities: Jee Young Lee\u2019s Photographic Fiction"},"content":{"rendered":"<div class=\"jyl-cargo-shell jyl-cargo-shell-entry\"><div class=\"project clear\"><div class=\"entry\"><div class=\"project_content\"><b>Constructed Realities: Jee Young Lee\u2019s Photographic Fiction<\/b><br \/>\r\n<br \/>\r\nHyewon Yi<br \/>\r\nDirector and Curator, Amelie A. Wallace Gallery <br \/>\r\nSUNY College at Old Westbury, New York<br \/>\r\n<br \/>\r\nThis exhibition introduces seven new photographic works from Jee Young Lee\u2019s Stage of Mind, a project on which the artist has been working continuously since 2007. Jee Young Lee \u201cconstructs\u201d scenes for her camera rather than employing the traditional method of \u201ctaking\u201d images such as still lifes, figures, or landscapes. Her stage for these fictional scenes is her room-sized studio in Seoul, measuring 360 x 410 x 240 centimetres, where the artist\u2019s labor-intensive surrealistic fantasy creations realize her psychological states within the confines of physical space. <br \/>\r\n<br \/>\r\nLee\u2019s artistic motivation derives from her quest for personal identity. In each of Lee\u2019s stories, the artist is the protagonist. At times facing away from us, at other times showing only part of her body or reclining, she quietly and mysteriously inhabits her dream-like realms. Through their bold materials and patterns, dramatic colors, and intriguing narratives, Lee\u2019s new works signal maturity, coherence, and sophistication. The legends of East and West, Korean proverbs, personal childhood experiences, and immediate realities provide the motifs for her creations. <br \/>\r\n<br \/>\r\nAmong Lee\u2019s new works, I\u2019ll Be Back draws upon a Korean fable in which a tiger chases desperate children into a well. A god lowers a rope from the sky by which the children escape, but when the tiger cries out for like succor, a rotten rope is lowered, condemning the tiger to a miserable fate. Lee reinterprets the horror of this inescapable situation to suggest the possibility of survival through her own will, her lone arm reaching for a rope just out of reach while thousands of traditional blue fans conjure up the threatening waters swirling around her.<br \/>\r\n<br \/>\r\nBroken Heart makes visual the Korean expression \u201clike breaking a stone with an egg\u201d \u2013 an ineffectual effort against insurmountable adversity. Last Supper conflates the Christian image of the meal that foreshadows Jesus\u2019 impending demise with the competition for limited resources illustrated by hundreds of rats racing toward the table from which the artist appears to be rescuing a plate of cheese. Resurrection, which suggests the hope of rebirth, is inspired by Shimchungchun, a Korean novel from the Chosun dynasty about a young woman who devotes herself to her blind father, and Pre-Raphaelite painter John Everett Millais\u2019s Ophelia (1852), which depicts Shakespeare\u2019s character having drowned herself after going mad from loss of Hamlet\u2019s love and the death of her father. Lee identified with the tragic heroine, rising among the water lilies. The otherworldly atmosphere of her piece is enhanced through the use of dry ice. <br \/>\r\n<br \/>\r\nContrasting with Lee\u2019s legend- and literature-inspired moral messages, Panic Room and Treasure Hunt are based on the artist\u2019s childhood memories. Amidst Panic Room\u2019s swirling patterns, objects fly off in all directions in an absurd dizziness, while Treasure Hunt\u2019s grassy Eden \u2013 Lee devoted three months to crafting the lush multitude of wire leaves \u2013 evokes a child-like wonderland. Monsoon Season, which grows from the artist\u2019s personal experience last summer when her studio was flooded, evokes the perils of navigating through thousands of seductive but poisonous sea anemones.<br \/>\r\n<br \/>\r\nLee\u2019s constructed realities belong to the \u201cdirectorial mode,\u201d employed since the 1980\u2019s by Postmodernist photographers in repudiation of the Modernist practice that sought truth in the everyday world. Lee\u2019s \u201cconstructed image photography\u201d may be compared to the works of German sculptor and photographer Thomas Demand, who builds life-sized models he intends to demolish after photographing them. Her \u201cstaged photography\u201d brings to mind tableaux vivant not unlike U.S. installation artist and photographer Sandy Skoglund\u2019s orchestrated room-size installations. But in contrast to these earlier artists, Lee\u2019s subjects are deeply personal and intensely psychological. Drawing upon prodigious powers of imagination, she labors for months to create effects that seem to expand and contract physical space. And always, a lone figure inhabits and completes her narratives. Jee Young Lee assumes the roles of set designer, sculptor, performer, installation artist, and photographer \u2013 and she executes them all magically. <br \/>\r\n<br \/>\r\n<br \/>\r\n<b>\uad6c\uc131\ub41c \ud604\uc2e4: \uc774\uc9c0\uc601\uc758 \ud3ec\ud1a0\uadf8\ub798\ud53d \ud53d\uc158 <\/b><br \/>\r\n<br \/>\r\n\uc774\ud61c\uc6d0 <br \/>\r\n(\ub274\uc695 Amelie A. Wallace Gallery \ub514\ub809\ud130\/\ud050\ub808\uc774\ud130) <br \/>\r\n<br \/>\r\n<br \/>\r\n\uc774\uc9c0\uc601\uc758 \ud504\ub85c\uc81d\ud2b8 'Stage of Mind'\ub294 \uc791\uac00\uac00 2007\ub144 \ub9d0\ubd80\ud130 \uafb8\uc900\ud788 \uc791\uc5c5\ud574\uc628 \uc791\ud488\ub4e4\ub85c\uc11c \uac00\uc7a5 \ucd5c\uadfc\uc758 7\uc810\uc758 \uc0ac\uc9c4 \uc791\uc5c5\uc744 \uc774 \uc804\uc2dc\uc5d0 \uc18c\uac1c\ud55c\ub2e4. \uc804\ud1b5\uc801\uc778 \uc0ac\uc9c4 \uc791\uc5c5 \ubc29\ubc95\uc778 \ubcf4\uc5ec\uc9c0\ub294 \uc0ac\ubb3c, \uc778\ubb3c, \ud48d\uacbd, \uc989 \uc874\uc7ac\ud558\ub294 \uc138\uacc4\ub97c \ubcf4\uc774\ub294 \uadf8\ub300\ub85c \u201c\ucc0d\ub294\ub2e4.\u201d\ub77c\ub294 \uac1c\ub150\uc744 \ub5a0\ub098, \uc774\uc9c0\uc601 \uc791\uac00\ub294 \uc790\uc2e0\uc758 \uce74\uba54\ub77c \uc55e\uc5d0 \uc774\ubbf8\uc9c0\ub97c \ucc0d\uae30 \uc704\ud55c \uc7a5\uba74\uc744 \u201c\uad6c\uc131\ud55c\ub2e4.\u201d \uc7a5\uba74\ub4e4\uc758 \ubb34\ub300\uac00 \ub418\ub294 \uacf5\uac04\uc740 \uc11c\uc6b8 \ub9c8\ud3ec\uad6c \ud64d\uc775\ub300 \uc55e\uc758 \ud55c \uc791\uc5c5\uc2e4 \uacf5\uac04\uc774\ub2e4. 360x410x 240cm [\uad6c \uc791\uc5c5\uc2e4 \ud06c\uae30\ub294 340x370x240cm]\uc758 \uc77c\uc815\ud55c \uacf5\uac04 \uc548\uc5d0 \uc791\uac00\ub294 \ud5c8\uad6c\uc758 \uacf5\uac04\uc744 \ubcc0\ud654\ubb34\uc30d\ud558\uac8c \uc5f0\ucd9c\uc2dc\ud0a8\ub2e4. 'Stage of Mind' (\ub9c8\uc74c\uc758 \ubb34\ub300)\ub780 \ud504\ub85c\uc81d\ud2b8\uc758 \uc81c\ubaa9\uc774 \uc554\uc2dc\ud558\ub4ef\uc774 \uc774\uc9c0\uc601\uc740 \uc790\uc2e0\uc758 \ub0b4\ubc00\ud55c \uc2ec\ub9ac\uc801 \uc0c1\ud669\uc774\ub098, \ud658\uc0c1\uc801\uc774\uace0 \ube44\ud604\uc2e4\uc801\uc778 \uc138\uacc4\ub97c \uaddc\uaca9\ud654\ub41c \uacf5\uac04 \uc548\uc5d0 \uc218 \uc2dc\uac04\uc758 \uc218\uc791\uc5c5\uc744 \ud1b5\ud574 \uc790\uc720\ub85c\uc6b4 \ubb34\ub300\ucc98\ub7fc \ud45c\ud604\ud55c\ub2e4. <br \/>\r\n<br \/>\r\n\uc791\uc5c5\uc758 \ub3d9\uae30\ub294 \uc790\uc544\ud0d0\uad6c\uc5d0\uc11c \ube44\ub86f\ub418\uc5c8\ub2e4. \uac01\uac01\uc758 \uc2a4\ud1a0\ub9ac\uc758 \uc138\ud2b8 \uc548\uc5d0 \ub300\uccb4\ub85c \ud654\uba74 \uae4a\uc219\ud55c \uc548\ucabd\uc5d0 \ub4f1\uc7a5\ud55c \uc778\ubb3c\uc740 \uc791\uac00 \uc790\uc2e0\uc774 \ub300\ubd80\ubd84\uc774\uba70, \ub4b7\ubaa8\uc2b5, \uc2e0\uccb4\uc758 \uc77c\ubd80, \uc5ce\ub4dc\ub9b0 \uc790\uc138 \ub4f1\uc744 \ud1b5\ud574 \ud654\uba74\uc744 \uc9c0\ubc30\ud558\uae30\ubcf4\ub2e4\ub294 \ud30c\ubb3b\ud788\ub294 \uc774\uc57c\uae30\uc758 \uc77c\ubd80\ubd84\uc73c\ub85c \uacb8\uc190\ud558\uace0, \uc2e0\ube44\ub85c\uc6b4 \uc874\uc7ac\ub85c \ud45c\ud604\ub41c\ub2e4. \uc774\ubc88 \uc0c8\ub85c\uc6b4 \uc791\ud488\ub4e4\uc740 \uacfc\uac10\ud55c \uc18c\uc7ac\uc640 \ud328\ud134, \ud654\ub824\ud55c \uc0c9\ucc44\uc758 \uc0ac\uc6a9\uacfc \uc8fc\uc81c\uc758 \uc120\ud0dd\uc5d0 \uc788\uc5b4\uc11c, \uc131\uc219\ud558\uace0, \uc77c\uad00\ub418\uba70 \uc138\ub828\ub41c \ub2e8\uacc4\uc758 \uc791\uac00\uc758 \uacb0\uc815\uc744 \ub4dc\ub7ec\ub0b8\ub2e4. \ub3d9\uc591\uacfc \uc11c\uc591\uc758 \uc804\uc124, \ud55c\uad6d \uc18d\ub2f4, \uc5b4\ub9b0 \uc2dc\uc808 \uacbd\ud5d8, \uc9c1\uba74\ud55c \ud604\uc2e4 \ub4f1\uc744 \uc18c\uc7ac\ub85c \ud45c\ud604\ud588\ub2e4. <br \/>\r\n<br \/>\r\n\uc774 \uc911, <i>I\u2019ll be back<\/i>\uc740 \uc77c\uc6d4\uc124\ud654 (\u65e5\u6708\u8aaa\u8a71)\uc5d0 \ub4f1\uc7a5\ud558\ub294 \ud638\ub791\uc774\uac00 \uc7a1\uc558\ub358 \uc369\uc740 \ub3d9\uc544\uc904 \uc774\uc57c\uae30\uc758 \uc808\ub9dd\uc801 \uc0c1\ud669\uc744 \uc218\ubc31 \uac1c\uc758 \ubd80\ucc44\ub85c \ubb3c\uc0b4\uc744 \uc7ac\ud604\ud558\uace0, \ud314 \ud558\ub098\uac00 \ubc27\uc904\uc744 \uc7a1\uc73c\ub824\ub294 \uae34\ubc15\ud55c \uc0c1\ud669\uc73c\ub85c \uc7ac\ud574\uc11d\ud568\uc73c\ub85c\uc368, \uc758\uc9c0\ub85c \uc5ed\uacbd\uc744 \uc774\uae38 \uc218 \uc788\ub2e4\ub294 \uba54\uc2dc\uc9c0\ub97c \ub2f4\uace0 \uc788\ub2e4. <i>Broken Heart<\/i>\ub294 \u201c\uacc4\ub780\uc73c\ub85c \ubc14\uc704\uce58\uae30\u201d\ub97c \uc2dc\uac01\ud654\ud55c \uc791\ud488\uc73c\ub85c \ubd88\uac00\ub2a5\ud55c \uc0c1\ud669\uc5d0 \ub300\ud55c \ubd80\uc9c8\uc5c6\ub294 \ub3c4\uc804, <i>Last Supper<\/i>\uc5d0\uc11c \uce58\uc988\uac00 \ub193\uc5ec \uc788\ub294 \ud14c\uc774\ube14\uc744 \ud5a5\ud574 \ub3cc\uc9c4\ud558\ub294 \uc218\ub9ce\uc740 \uc950\ub4e4\uc740 \ud55c\uc815\ub41c \uc74c\uc2dd\uc744 \ub193\uace0 \uacbd\uc7c1\ud574\uc57c \ud558\ub294 \uce58\uc5f4\ud568\uc744 \ud45c\ud604\ud588\ub2e4. \uc774\ub294 \ub610\ud55c \uc8fd\uc74c\uc744 \uc784\ubc15\ud55c \uc608\uc218\uc758 \uc6b4\uba85\uc744 \uc608\uace0\ud558\ub294 \ub9c8\uc9c0\ub9c9 \uc2dd\uc0ac\uc778 \uae30\ub3c5\uad50\uc801 \uc774\ubbf8\uc9c0\ub97c \uc5f0\uc0c1\uc2dc\ud0a8\ub2e4.<br \/>\r\n<i>Resurrection<\/i>\uc740 \uc544\ubc84\uc9c0\ub97c \uc704\ud574 \ud76c\uc0dd\uc744 \ub9c8\ub2e4\uce58 \uc54a\uc740 \uc2ec\uccad\uc804\uacfc \uc170\uc775\uc2a4\ud53c\uc5b4\uc758 \ud584\ub9bf\uc758 \uc5ec\uc8fc\uc778\uacf5 \uc624\ud544\ub9ac\uc544\uc758 \uc8fd\uc74c (\uc544\ubc84\uc9c0\uc758 \uc8fd\uc74c\uacfc \ud584\ub9bf\uc73c\ub85c\ubd80\ud130 \ub2f9\ud55c \uc2e4\uc5f0\uc758 \uad34\ub85c\uc6c0 \uc774\ud6c4)\uc5d0\uc11c \uc601\uac10\uc744 \uc5bb\uc5c8\ub2e4. \ud2b9\ud788 \ub77c\ud30c\uc5d8 \uc804\ud30c\uc758 \uc8fc\uc694 \uc791\uac00 \uc874 \uc5d0\ubc84\ub81b \ubc00\ub808\uc774\uc2a4 (John Everett Millais)\uc758 \uc791\ud488 \uc624\ud544\ub9ac\uc544 (1852)\ub97c \ucc38\uace0\ud588\ub2e4. \uc774\uc9c0\uc601\uc740 \ube44\uadf9\uc801 \uc774\uc57c\uae30\uc758 \uc5ec\uc8fc\uc778\uacf5\uacfc \uc790\uc2e0\uc744 \uacb0\ubd80\uc2dc\ud0a4\uba70 \uc791\ud488\uc744 \ubd80\ud65c\uc758 \ud76c\ub9dd\uc801 \uba54\uc2dc\uc9c0\ub85c \uc804\ud658\uc2dc\ud0a8\ub2e4. \uc218\uc791\uc5c5\uc73c\ub85c \ucc44\uc0c9\ub41c \uc5f0\uaf43\uacfc \uc5f0\uc78e\uc5d0\uc11c \uc0dd\uba85 (\uc80a\uc740 \uc5ec\uc778)\uc774 \uc2f1\uadf8\ub7fd\uac8c \ud53c\uc5b4\ub098\ub3c4\ub85d \uc5f0\ucd9c\ud588\uace0, \ub4dc\ub77c\uc774\uc544\uc774\uc2a4\ub97c \uc368\uc11c \ub354\uc6b1 \uc2e0\ube44\ud55c \ub290\ub08c\uc774 \ub098\ub3c4\ub85d \ud588\ub2e4. <br \/>\r\n<br \/>\r\n\uc804\uc124, \ubb38\ud559\uc5d0\uc11c \uc601\uac10\uc744 \uc5bb\uc740 \ub3c4\ub355\uc801\uc778 \uc8fc\uc81c\uac00 \uac15\ud55c \uc791\ud488\ub4e4\uacfc\ub294 \ub2ec\ub9ac <i>Panic Room<\/i>\uacfc <i>Treasure Hunt<\/i>\uc640 \uac19\uc740 \uc791\ud488\ub4e4\uc740 \uc544\ucc14\ud558\uac8c \ud604\uae30\uc99d\uc744 \uc8fc\ub294 \ubc29\uacfc, \ube7c\uace1\ud55c \ud480\ubc2d\uc744 \uac01\uac01 \ubc18\ubcf5\uc801\uc778 \ud328\ud134\uc758 \uc0ac\uc6a9\uacfc 3\uac1c\uc6d4\uac04\uc5d0 \uac78\uce5c \uc218\uc791\uc5c5 (\uacf5\uc608\uc6a9 \ucca0\uc0ac\ub97c \uc774\uc6a9\ud55c \ud480\ubc2d \uc7ac\ud604)\uc744 \ud1b5\ud574 \ubcf4\ub294 \uc774\ub85c \ud558\uc5ec\uae08 \uc544\uc5f0\ud558\uac8c \ub9cc\ub4e0\ub2e4. <i>Monsoon Season<\/i>\uc740 \uc9c0\ub09c\uc5ec\ub984 \ud64d\uc218\uc5d0 \ubc18 \uc7a0\uaca8\ubc84\ub9b0 \uc791\uc5c5\uc2e4\uc5d0\uc11c\uc758 \ubb3c\ub09c\ub9ac \uacbd\ud5d8\uc744 \uc218\ub9ce\uc740 \ub9d0\ubbf8\uc798\uc758 \uc720\ud639\uc744 \ubfcc\ub9ac\uce58\uace0 \ud56d\ud574\ud558\ub294 \uc704\ud0dc\ud55c \ubaa8\uc2b5\uc73c\ub85c \uc5f0\ucd9c\ud588\ub2e4. <br \/>\r\n<br \/>\r\n\uc774\uc9c0\uc601\uc758 \uc0ac\uc9c4\uc744 \uc704\ud55c \u201c\ub514\ub809\ud1a0\ub9ac\uc5bc \ubaa8\ub4dc\u201d\uc801\uc778 \ud5c8\uad6c\uc801 \uc2e4\ud604 \uad6c\uc131\uc740 1980\ub144\uc5d0 \uc811\uc5b4\ub4e4\uba74\uc11c \ud3ec\uc2a4\ud2b8\ubaa8\ub358 \uc0ac\uc9c4\uc791\uac00\ub4e4\uc774\u2014\ubcf4\uc774\ub294 \uc138\uacc4\uc758 \ud604\uc2e4\uc5d0 \uc785\uac01\ud55c \uc9c4\uc2e4\uc131\uc744 \ucd94\uad6c\ud558\ub358 \ubaa8\ub354\ub2c8\uc2a4\ud2b8 \uc0ac\uc9c4\uc791\uac00\ub4e4\uc758 \uc0ac\uc9c4 \uc791\uc5c5 \ubc29\uc2dd\uc5d0\u2014\ubc18\ub300\ud558\uc5ec \uc18c\uc7ac, \uc8fc\uc81c, \uc774\uc5d0 \ub530\ub978 \uc9c4\uc2e4\uc131\uae4c\uc9c0 \uc81c\uc870 \ub420 \uc218 \uc788\ub2e4\ub294 \ud3ec\ud1a0\uadf8\ub798\ud53d \ud53d\uc158\uc758 \ucc3d\uc870\uc758 \ubc29\ubc95\ub860\uacfc \ubc00\uc811\ud558\uac8c \uad00\ub828\ub41c\ub2e4. \uacb0\uacfc\ubb3c\uc778 \uc0ac\uc9c4\uc744 \uc704\ud574 \uc791\uac00 \uc774\uc9c0\uc601\uc774 \ub9cc\ub4e0 \uc138\ud2b8\ub294 \uc774\ub978\ubc14 \uad6c\uc131\uc0ac\uc9c4 (Constructed Image Photography)\uc73c\ub85c \uc644\uc131\ub41c life-size\ubaa8\ub378 \uc138\ud2b8\ub97c \uc0ac\uc9c4 \uc791\uc5c5\uc774 \ub05d\ub098\uba74 \ubd80\uc218\uace0 \ub2e4\uc2dc \ub9cc\ub4e0\ub2e4\ub294 \uc810\uc5d0\uc11c \ub3c5\uc77c \uc870\uac01\uac00 \ubc0f \uc0ac\uc9c4\uc791\uac00 \ud1a0\ub9c8\uc2a4 \ub514\uba58\ub4dc (Thomas Demand)\uc758 \uc791\uc5c5 \ubc29\uc2dd\uacfc \ube44\uad50\ub420 \uc218 \uc788\uc73c\uba70, \uc774\uc9c0\uc601\uc758 \uce7c\ub77c \uac10\uac01\uacfc \uc778\ubb3c \uc0ac\uc6a9\uc758 \ucd08\ud604\uc2e4\uc8fc\uc758\uc801\uc778 Tableaux Vivants\uc2dd\uc758 \uc5f0\ucd9c \uc0ac\uc9c4 (Staged Photography)\uc740 \ubbf8\uad6d \uc124\uce58 \uc0ac\uc9c4\uc791\uac00, \uc0cc\ub514 \uc2a4\ucf54\uae00\ub7f0\ub4dc (Sandy Skoglund)\uc640 \ucda9\ubd84\ud788 \ube44\uad50\ub420 \uc218 \uc788\ub2e4. \uadf8\ub7ec\ub098, \uc774\ub4e4 \uc77c\ub828\uc758 \uc791\uac00\ub4e4\uacfc \ube44\uad50\ud574, \uc774\uc9c0\uc601\uc758 \uc18c\uc7ac\ub294 \uc9c0\uadf9\ud788 \uac1c\uc778\uc801\uc774\uace0, \ud55c\uad6d\uc801 \ubb38\ud654\uc640 \uc815\uc11c\ub97c \ubc18\uc601\ud558\uba70, \uc5c4\uccad\ub09c \uc0c1\uc0c1\ub825\uc744 \ub3d9\uc6d0\ud558\uc5ec, \ud55c \uc7a5\uba74\uc744 \uc704\ud574 \uba87 \uac1c\uc6d4\uc758 \uc218\uc791\uc5c5\uc774 \uc694\uad6c\ub418\ub294 \uc7a5\uba74\uc744 \ub9cc\ub4e0\ub2e4. \uc791\uac00\ub294 \ub611\uac19\uc740 \ud55c \uacf5\uac04\uc744 \uc218\uc2ed \ubc88\uc529 \ub4a4\ubc14\ub00c\uac8c, \ubc00\uc2e4 \ud3d0\uc1c4\uc758 \uacf5\uac04\uc774 \ud33d\ucc3d\ud588\ub2e4, \uc218\ucd95\ud588\ub2e4 \ud558\ub294 \uc138\uc2ec\ud55c \uc5f0\ucd9c \ub2a5\ub825\uc774 \uc788\ub2e4. \ub610\ud55c \ud56d\uc0c1 \ud558\ub098\uc758 \uc778\ubb3c\uc774 \uac01\uac01\uc758 \ud654\uba74\uc744 \uc870\uc6a9\ud558\ub098 \ud798\uc788\uac8c \uc870\uc728\ud558\uace0 \uc774\uc57c\uae30\ub97c \ud480\uc5b4\ub098\uac04\ub2e4. \uc774\uc9c0\uc601\uc740 \uc0ac\uc9c4\uc791\uac00\uc784\uacfc \ub3d9\uc2dc\uc5d0 \ubb34\ub300 \uc2dc\uac01 \uc5f0\ucd9c\uac00, \ud37c\ud3ec\uba3c\uc2a4 \uc608\uc220\uac00, \uc124\uce58 \ubbf8\uc220\uac00, \uc870\uac01\uac00, \ud654\uac00\uc758 \uc5ed\ud560\uae4c\uc9c0 \uc12d\ub835\ud55c\ub2e4. <br \/>\r\n<\/div><\/div><div class=\"project_footer\"><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Constructed Realities: Jee Young Lee\u2019s Photographic Fiction<\/p>\n<p>Hyewon Yi<br \/>\nDirector and Curator, Amelie A. Wallace Gallery<br \/>\nSUNY College at Old Westbury, New York<\/p>\n<p>This exhibition introduces seven new photographic works from Jee Young Lee\u2019s Stage o&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":26,"menu_order":16,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-182","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/pages\/182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/comments?post=182"}],"version-history":[{"count":1,"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/pages\/182\/revisions"}],"predecessor-version":[{"id":207,"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/pages\/182\/revisions\/207"}],"up":[{"embeddable":true,"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/pages\/26"}],"wp:attachment":[{"href":"https:\/\/nanapang.myds.me\/wordpress\/wp-json\/wp\/v2\/media?parent=182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}